
Pacific Alliance of Music Schools (PAMS) Summit
2016
Apr 07, 2016
10am - 10pm, Steven Baxter Recital Studio
The Seen and the Unseen: Acousmatic and Multimedia Works
Works for multi-channel playback as well as multimedia works by composers from the PAMS member institutions will run continuously on Friday, 8 April and Saturday, 9 April 2016. Pop in to take a listen when you have a chance!
Apr 07, 2016
2-4pm, Conservatory Orchestra Hall
Music and Machines: A Panel Discussion
Technological advances of the last 100 years have changed our daily lives, but they have also changed the lives of artists. New technologies yield new possibilities and new ideas. They change where we can experience art works and how we can interact with these works. At a fundamental level, they change the very stuff with which art is made. Join us for this panel discussion where composition faculty from PAMS institutions share the many ways in which technology has changed their artistic process and the means with which they share their work with the world.
Apr 07, 2016
7:30pm, Conservatory Concert Hall
PAMS Summit Opening Concert
A concert featuring works by faculty composers from some of the PAMS member institutions. Performing the works will be YSTCM staff, students, and alumni, as well as new music specialists from the region. Programme information and registration for tickets: Click here!
Apr 08, 2016
10am - 10pm, Steven Baxter Recital Studio
The Seen and the Unseen: Acousmatic and Multimedia Works
Works for multi-channel playback as well as multimedia works by composers from the PAMS member institutions will run continuously on Friday, 8 April and Saturday, 9 April 2016. Pop in to take a listen when you have a chance!
Apr 08, 2016
10am-12pm. Conservatory Concert Hall
Tradition and Innovation: A Panel Discussion
Before new music there is known music, familiar traditions, styles, a history of techniques and aesthetic approaches that influence and shape the music of contemporary composers. And in an age of global information sharing, composers often seek inspiration from foreign traditions. But cultural borrowing and transcending of one's own culture raise questions, some personal and occasionally ethical. Join us for this panel discussion with composition faculty members from PAMS institutions sharing the ways in which their work has been shaped by the dynamic interaction of the traditions they admire and the innovations that they seek.
Apr 08, 2016
7:30pm - 10pm, National Gallery of Singapore
Music in the Museum
An evening of contemporary works performed in the National Gallery of Singapore by students at the Yong Siew Toh Conservatory of Music. Performances will take place throughout the galleries, including excerpts from John Cage's Six Melodies performed on the lipstick red Steinway used by Chinese virtuoso Lang Lang in his Sing50 performance.
7:30pm @ Padang Atrium
Richard Heyman: Arc of Continuous Sounds
Year 2 YSTCM Students
Peter Edwards, director
8:05pm @ Singapore Courtyard
Salvatore Sciarrino: Il silenzio degli oracoli (1989)
Kim Dan Yi (B.Mus3) flute
Mathilde Marie Urga Villeviere (M.Mus2) oboe
Jang Zion (B.Mus2) clarinet
Ivy Fung Ai Wei (B.Mus2) bassoon
Amir Sharipov (B.Mus1) french horn
John Cage: Six Melodies (1950)
Jeong Han Sol (B.Mus2) piano
Yu Chieh An (B.Mus1) violin
Samuel Barber: Adagio from String Quartet, Op. 11 (1935-36)
Orest Smovzh (B.Mus4) violin
Peh Ren Yu Martin (B.Mus4) violin
Ho Qian Hui (B.Mus1) viola
Christopher Mui (B.Mus4) cello
8:50pm @ Padang Atrium
Fabian Obispo: Mamayog Akun
Daud Kosasih: Rindu Kepada Kediaman Allah
David Childs: O Magnum Mysterium
Leong Yoon Pin: Love Quatrains
Year 1 YSTCM students
Chong Wailun, conductor
Apr 09, 2016
5pm, Esplanade Recital Studio
In View of Distant Lands - Yong Siew Toh New Music Ensemble
Chen Zhangyi, conductor
Christoph Wichert and Martin Jaggi, coaching
In View of Distant Lands is a curation of works that are inspired by culture of foreign lands. The programme features the Asian and Singapore premiere of Jonathan Harvey's Vajra (Thunderbolt), which invokes the Buddhist symbol. Also featured are Liza Lim's The Ear’s Heart, Evan Ziporyn's Gamelan-influenced string quartet Eel Bone and Jo Kondo's Words. The Conservatory also proudly presents the premiere of Dawn by 3rd-year composition student Chen Fang-Chi, who describes her piece as a musing upon sunrise. This concert will be conducted by Conservatory faculty Chen Zhangyi.